A week in Cambodia -11/18/2023-11/24/2023
Day 1-
Phnom Penh Choeung Ek Genocidal Center Tuol Slen Museum City Tour Wat Phnom Phnom Penh at night |
Day 2-
Phnom Penh Cycling around the Mekong Island Koh Ohnha Tey Island |
Day 3-
Phnom Penh Royal Palace Sunset Cruise Dinner at Bistro Romano |
Day 4-
Siem Reap Arrival Downtown |
Day 5-
Siem Reap Pre Rup Temple Ta Som Temple Neak Poan Temple Preah Khan temple Preah Khan cont. Bantei Srei temple Banteay Samre temple |
Day 6-
Siem Reap Sunrise at Agnkor Wat Angkor Wat Angkor Wat Cont. Ta Prohm (tomb raider) Ta Prohm Cont. Victory Gate Angkor Thom Bayon Temple |
Day 7-
Siem Reap Angkor National Musem |
Siam Reap-11/22/2023
Day 5- Banteay Srei Temple
Banteay Srei (Citadel of woman) was built in 10th century and is dedicated to the Hindu god Shiva. It is renowned for its exceptional beauty, intricate carvings, fine workmanship and the exceptional quality of its carvings in pink sandstone which a material unique to this region.
Like all other temples in the area, Banteay Srei was left unattended and gradually covered by the jungle since the decline of the Khmer empire from the early 14th century until it was rediscovered in 1914.
The temple was the subject of a celebrated case of art theft when André Malraux, the famous French writer who stole four devatas in 1923 (he was soon arrested, and the figures were returned). The incident stimulated interest in the site and the first restoration work in the 1930s by the original constructing methods and architectural elements had helped to bring back the beauty of the temple somewhat to its origin, giving visitors the chance to admire one of the greatest artwork of Cambodia.
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The temple is set amongst the charming village and farmlands just below the
Kulen Mountain range.
The temple is square and has entrances at the east and west. We went through the east and pass through the village of Phoum Pradak.
Heading to the temple
A pediment along the way.
Indra riding Airavata carved on the pediment of the gopura located at the entrance.
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Processional walkway leading to the main Eastern entrance.
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The walkway was lined with carved sandstone pillars. On the right, we are now entering the Eastern gateway.
Banteay Srei temple is the only one that has the most use of red sandstone. The sandstone used to build the temple was taken from mountains in the area near by.
This is a kind of hard stone but can be easily chiseled like wood, allowing artists to manifestly display their imagination and skills. The light red color of the stone also adds more charm to the temple.
The intricate carvings showcase a level of artistry that was unprecedented
in Khmer architecture. These carvings depict scenes from Hindu mythology,
epics, and daily life, offering valuable insights into the cultural and
religious life of the period.
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Ballustrated window.
Banteay Srei is surrounded by a moat.
Behind the moat is the main shrine.
Part of the moat.
Lintels containing very finely carves ornamentations.
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Among them are a depiction of Viradha who abducts Sita, a scene from the
Indian epic Ramayana. Others show Indra riding the three headed elephant
Airavata, Varuna, the God of the oceans, Vishnu, Shiva, Uma and Nandi, the
sacred bull.
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The carvings are incredible intricate and beautiful.
The inner sanctuary contains three prasats set on a platform of about 3 ft. high. A mandapa (a pillared hall) chamber precedes the central tower. The Banteay Srei is the first temple where a mandapa chamber was added to the sanctuary.
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Monkey guardians statues in front of the main sanctuary.
The main shrine and auxiliary structures are
surrounded by three concentric square enclosure walls. Throughout the complex,
the sandstone surfaces are intricately carved with some of the finest, most
elaborate ornamentation to survive from the Khmer era.
The sanctuary is entered from the east by a doorway only 3 ft. in height
The central tower measures almost 33 ft. high, the others are slightly
shorter. All three towers are decorated with dvarapala (door
guardian) and devata (god) images and contains small sanctuary chambers.
South wall of the mantapa
The three sanctuary towers are arranged in a
north-south line, the southern and central Prasats were dedicated to Shiva,
the northern tower to Vishnu. The central one is preceded by a Mandapa hall,
connected with it by a corridor called Antarala. Two corner buildings in the
inner enclosure are libraries. These buildings and the Gopurams of this first
enclosure are the jewels of Khmer art mentioned above, decorated with the
finest and most detailed examples of bas-reliefs you can find in Cambodia or
anywhere else.
These buildings and the Gopurams of this first
enclosure are the jewels of Khmer art mentioned above, decorated with the
finest and most detailed examples of bas-reliefs you can find in Cambodia or
anywhere else.
Banteay Srei carvings are the best preserved examples of Angkorian relief
art, almost unchanged as scarcely anything is weathered.
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Pediment details.
We are now done with the visit and we are leaving the area.
The outer wall of Banteay Srei.
Next..Banteay Samre Temple